I recently blogged about my disenchantment with contemporary romance, and concluded that it was the lack of compelling conflict that was the problem for me. For me, believable conflict is thinner on the ground in contemporary romance than in any other sub-category of romance. Whereas in historicals - disapproving governesses, slutty rakes - and in paranormals - blood-suckers, death, immortality - the conflict is right there, bred into the bones of the story.

I should have added to my post that M/M romance is another sub-genre with built-in conflict. If I had done so, I could have neatly quoted Jay, one of the protaganists from Bonnie Dee’s new novel, Undeniable Magnetism:

“Daring to trust is hard enough in any relationship, but for a gay man it’s compounded. There’s a lot more at stake than two guys who happen to like each other and want to become involved. There’s a whole raft of outside issues impacting them.”

With M/M romance, you don’t need to manufacture a WTF storyline or a Big Mis to provide the conflict. You can have your Romeo and Juliet (or Romeo and Mercutio) doing their ‘You And Me Against The World, Baby’. Conflict - sorted.

And so, in this book we get two rather lovely men - Jay and Simon - who fall headlong for each other but who have a few obstacles to negotiate on the path to their HEA.

(more…)

Let me start on a positive note: although I didn’t like this book, there were things I liked about Ms Tenorio’s writing. There is an energy to her prose that is appealing, and she is funny (always helpful when you write romantic comedies). However, for me, this book just didn’t work: the story was weak and I didn’t believe in the two main characters.

The Plot

Travis and Vetta are research scientists who have known each other since college. They are ‘best enemies’. You know the kind: they bicker and fight all the time but there’s a strong underlying friendship. They share lab space and have neighbouring apartments. Vetta is researching whether men are driven by sex or money and Travis is researching the effect of hormones on ovarian cancer.

Vetta comes from a phenomenally wealthy family. Her father owns a huge pharmaceutical company and her mother is a Swedish actress and all-round sexpot. Vetta lives with her ‘nanny’, Jade, a manipulative mother-hen. Travis, by contrast, comes from an ordinary background and has recently run out of research money.

At the start of the book, we learn that Vetta is gathering questionnaires from potential subjects. To annoy her, Travis submits one with snarky answers and obscene cartoons. We learn that Vetta intends to select a candidate from the questionnaire respondents and offer him a million dollars if he will agree to have no sex for a year. The candidate in question will have to give regular sperm samples and keep a diary.

(more…)

Grade: D+

My TBR pile is not in fact one single pile but lots of little piles. Amongst others, I have an “immediate TBR” pile of books I’m dying to read, a “worthy TBR” pile of books I feel I should read and “suck-it-and-see TBR” pile of books I’ve picked up without knowing who the author is just to see what they’re like. Manhandling, by Karen Anders was in my suck-it-and-see pile. I obviously bought it (oooh - two years ago!) cos it was a ’special price’ book but have never gotten round to reading it. Till now.

The Cover

….is dark. Not atmospheric-dark. Not deep-and-angsty dark. Just so fucking dark that I can’t actually make anything out except the weird green streak in the female model’s hair.

(more…)

Grade: B+

The horror of reading Bedded, or Wedded? last week sent me running back to the safety of my keeper shelf and the first thing I reached for was an old beloved comfort read, Obsession, by my favourite ever Mills and Boon author, Charlotte Lamb. I fucking love this book. *Sighs happily*.

The Cover

The UK cover is one of the classic ‘black rose’ covers of the late 70s/early 80s. Love these black rose covers - so kitsch with their garish colours and the piss-poor paintings on the covers. Every time I look at one, I feel nostalgic fondness.

In 1980, when Obsession was first published, I was seven. My mum was a big Mills & Boon fan and she kept her stash hidden away in my wardrobe. Me and my friends used to get piles of them out and lay them out on my bedroom floor, trying to decide who was the prettiest heroine or the handsomest hero (and because I was seven, I always picked out a Violet Winspear one with a h/h that looked like Ken and Barbie).

The cover of Obsession has a perfect 1980 aesthetic. With that haircut and outfit and the very perky boobies, the heroine is totally channelling Jane Fonda in Nine to Five, which is kind of appropriate seeing as this is one of those boss/secretary romances. And can I just say that I love the title? I hate the long tabloidy headlines Mills & Boon use now. This is just one word, and it’s relevant to the story. Nice.

(more…)

Grade: D

Jane at Dear Author did a post recently ‘coming out’ as a lover of category romance. It was one of those posts that hit a nerve, generating a lot of comments. Readers were falling over themselves (myself included) to ‘fess up and wax lyrical over their favourite authors.

I’ve got about 20 Harlequins on my Keeper Shelf. Most of these are great books but a few are the equivalent emotional porn. Cheap thrills with no troublesome character development to hold up the action. Give me immediate angst, an alpha hero acting like a cockhead and a huge grovelling apology at the end and I’m in heaven.

An author who does this well is Julia James. In the past, I’ve liked her books, but her latest offering, Bedded, or Wedded? is disappointing to say the least.

(more…)